“I remember when I discovered purpose.”
Oddisee is a rapper who knows how to twist hip-hop on its side with every release. Every album comes in a completely different flavor with undertones from past releases. For the past couple of months, he’s been leaving breadcrumbs for his followers; videos, song snippets, and the honest truth. His album The Iceberg has dropped, and a little of his down-to-earth mentality came with it. The Iceberg is good bottle to pop open, and it’s a burn that runs smooth. After you pull back the production, we’re left with an honest album that stays true to Oddisee’s clever lyricism.
The “classic” badge is reserved for albums that capture everything a musician stands for. Every album is a little different, but this album is classic Oddisee. That’s impressive for a rapper who’s still scratching the surface of his career. He’s managed to build a hard-hitting discography in a short few years, and it’s only the beginning. Oddisee hasn’t started rubbing shoulders with Grammy winners, but he’s already established strong roots in the playlists of thousands. By the sound of it, he’s here to stay.
The songs on this album embrace his jazzy side, which is always nice to hear. In previous releases, small pieces of jazz slip through the corners, and The Iceberg is laced with plenty of it. I feel that the road is ignored too often, and brings it back alive. Of course, his music always has that strong R&B feel, and this album doesn’t shy away from that either. This album brings together a trifecta of rap, jazz, and R&B with a modernized twist and plenty clever hooks to go around.
The best thing about this album is the instrumentation. Some tracks are quick-versed rap with jazzy backdrops. Other tracks are more in-tune with modern R&B. Several songs were recorded with a live band, and it’s really a nice testament to modern rap. Hip-hop today has adopted an electronic flare and a strong influence from the current EDM scene. Despite some electronic characteristics, this album still feels somewhat like a traditional R&B record.
“How you say all lives matter if the status says we ain’t adjacent?”
The Iceberg tackles the stories behind the life he lives, the places he travels, and the people apart of it. This album really sheds light on his past and the potential future. He’s about the bigger picture and the pieces involved. It’s a difficult ground to explore, and he spits honest fire at real-world problems on the horizon.
Stacked background vocals, clustered drum breaks, and mellow keys are all wrapped in a crisp package. I’m pretty sure there is a Stevie Wonder sample stitched in there too…
In terms of production, this record has a lot going on. This record really shows off his talent as a producer and arranger. The band sounds fantastic on every track they are featured on. It’s mixed well and is sonically robust; however, I think that some tracks are weaker than others, and the album flows in a weird order.
Every release has imperfections. For a hip-hop album, this record may be a bit much. Oddisee is a talented writer, but his phrasing seems busy on this record. It’s a little overwhelming. Nevertheless, I think that it’s important to try and pick up on his messages. Oddisee doesn’t make mindless rap music. He’s a thinker who puts a lot of thought behind his work.
This isn’t a bad record, but I don’t think this is his greatest album. Some of the songs seem overly complex. This is a cool album that brings some important topics to the table, but this isn’t a record for everybody. There’s a lot to dissect and digest. This album goes beyond a kick and snare with its in-depth take on today’s social and political atmosphere. It might not be everybody’s cup of tea, but I still believe in his artistry and encourage people to explore it. I promise, you’ll always find more beneath the surface.
You can snatch the album on his bandcamp page.
As always…be sure to show the man some love.
“I don’t monitor the hits, I don’t monitor the clicks. I monitor the snare drum and the bottom of kicks.”